EVERYONE WHO MAKES.
Every craft loses ownership a different way. A musician loses it to an unsigned split. A designer loses it to an invoice with no assignment clause. A founder loses it to a contractor who never signed anything. Pick yours and see the exact failure and the exact paper that closes it.
MUSICIANS
Splits signed the day the song is made, masters on record, and money that arrives where it should.
PRODUCERS
Every beat sent out carries the terms of its use, so a placement never turns into a giveaway.
SONGWRITERS
Writer splits signed at the source, registered with the right societies, so the money reaches the right names.
PHOTOGRAPHERS
Every shoot licensed in writing, every image on record, and every unlicensed use turned into an invoice.
DESIGNERS
Client work with clear IP terms, portfolios that survive the handover, and logos with a record behind them.
COPYWRITERS
Every piece of copy with a signed brief behind it, and every reuse either paid or credited.
FILMMAKERS
Every contributor signed, every clearance on record, and a film that can actually be sold, sold on and insured.
PODCASTERS
Guest releases signed before the mic is on, clip rights clear, and clean paper for every crossover episode.
YOUTUBERS
Clips, guests, music and sponsorships all on record, so a strike is answered with paper instead of panic.
INFLUENCERS
Contracts that pay on time, cap the usage, and never turn a paid post into a permanent asset for someone else.
MODELS
Image rights that stop when the campaign does, and a record of exactly what you signed away.
VOICE ACTORS
Voice work licensed for what it was booked for, and cloning blocked unless it is explicitly paid.
DEVELOPERS
Contractor and open source contributions on record, so your code is yours or your company's, without ambiguity.
STARTUP FOUNDERS
Every founder, contractor and asset assigned to the company, so the IP question in due diligence takes an hour instead of a month.
AGENCIES
Client contracts, contractor assignments and clearances all on one record, so the shop and the client both know what they own.
FREELANCERS
Signed scope, a payment gate and a clean handover, so freelance work does not turn into unpaid work with borrowed IP.
DJS
Remixes, edits and sample based tracks with paper behind them, so a set does not become a legal problem.
AUTHORS
Publishing deals that keep options you want to keep, and AI training answered explicitly, not by default.
ARTISTS
Every work numbered and on record, so a copy, a derivative or a claim is answered with proof.
ESTATES
Every work, every deal and every permission the creator granted, on one record the estate can actually run.
COMPOSERS
Cue sheets, commission contracts and master rights signed before the first note is delivered.
SESSION MUSICIANS
Session sheets signed before the take, so a performance never quietly becomes a giveaway.
ANIMATORS
Character designs, rigs and finished animation on record, with contracts that say who owns the file as well as the frame.
3D ARTISTS
Meshes, textures and rigs licensed by use, not handed over whole because a client asked nicely.
GAME DEVELOPERS
Engine licences, asset contracts and contributor IP mapped before launch, not discovered during a funding round.
TATTOO ARTISTS
Design copyright kept by the artist, likeness rights kept by the client, with a signed record of both.
CHEFS
The recipe stays free to copy, but the written text, the photography and the brand around it do not have to.
ARCHITECTS
The built structure and the architectural drawings are separate rights, and both need a signed record before construction starts.
FASHION DESIGNERS
Prints, logos and silhouettes protected where the law actually allows it, before a fast fashion copy ships first.
CERAMICISTS
Signature forms and glaze recipes protected as far as the law allows, with a record for every piece you sell.
DANCERS
Performance consent, footage terms and likeness limits agreed before you step into the studio, not after the edit is out.
CHOREOGRAPHERS
Choreographic works recorded, authored and credited before the routine leaves the studio and belongs to whoever filmed it first.
COMEDIANS
Sets dated, formats defined and stage recordings owned before a bit gets clipped, retold or claimed by whoever filmed it first.
WRITERS
Manuscripts dated, assignments narrowed and reversion written in, so work you wrote for someone else can come back to you.